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ALLEN & HEATH GL2800-56
[GL2800-56]
7499.00
EUR
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ALLEN&HEATH GL2800-56
A dual-function mixer derived from our classic GL Series, the most popular mixers in the world for mid-range mixing applications. One glance at this new design will confirm that all our design experience and knowledge has been distilled into one amazingly capable console.
Uniquely at this level, GL2800 is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for IEM and stereo recording. 8 audio groups and L,R and M busses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive.
And at the heart of this design is the new gain structure allowing a whopping 34dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance.
GL2800 is designed for use in any live sound application, including theatres, music venues, houses of worship, festivals, corporate AV, stadiums, etc. With its neat, intuitive layout and straightforward analogue technology, clean audio and high dynamic range, its performance easily rivals that of the best digital consoles.
Features:
24, 32, 40, 48 and 56 channel frames
LR and M mix buses
8 Audio groups with pan and routing to LR and M
10 Auxes including a dedicated stereo send
2 multifunction stereo channels each with mic and stereo line inputs
2 dual stereos provide an extra 4 summed or independent stereo returns
Fully featured 12x4 Matrix
Proper dual functionality for FOH/Monitor mixing
Recording capable with channel direct outputs
M can be used for LR mono sum, engineers wedge, or centre/sub mix
Matrix external inputs with level trims and common input capability
Stereo channel mic inputs can cross patch into matrix for ambience feed
Responsive 4 band, 2 sweep EQ
100Hz channel high pass filters
Individual phantom power and polarity switching
Wide angle channel and master meters
Dedicated stereo monitor meters
Per channel pre/post fader aux switching for full flexibility
Recessed pre/post-EQ aux switching per channel
`Internal jumper plugs for aux, direct out and other options
Mutes on all fader masters
100mm dust protected faders
Assignable talkback to all outputs
1kHz oscillator / pink noise generator with external output
2-track monitoring and replay to LR
3 headphones/earpiece sockets and local monitor outputs
Electronically balanced XLR outputs with +26dBu drive capability
Preamp 74dB range with +34dBu input capability for mic or line
Ultra low noise mix head amp design
Uses external linear power supply
Built-in combiner for redundant backup supply
Metal jacks, gold-plated XLRs, sealed pots and switches
Individual circuit card assembly with nutted pots
Solid copper bus bar grounding
Sys-Link V2 console linking option
4-pin lamp sockets
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API Audio
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Apple
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Behringer
Beyer Dynamic
BSS
Chandler Limited
Clavia
Crest Audio
Dangerous Music
Dave Smith Instruments
DBX
Denon
Dynaudio Acoustics
Ecler
Focusrite
Fxpansion
Gemini
Genelec
GForce
GML
Green Glue
iKEY
K & M Stands
Korg
KRK Systems
LD Premium
LD Systems
Lexicon
Logitech
Manley Labs
Marantz
Maselec
Millennia Media
Mindprint
Moog Music
Motu
Native Instruments
Neutrik
Neve
Numark
Ortofon
PALMER
Phonic
Pioneer
Prism Sound
Rane
RME Audio
Roland
Samson
Sennheiser
Shure
SKB Cases
Solid State Logic
Sony
SPL
Stanton
Steinberg
Sterling Modular
Studio Projects
Summit Audio
Tascam
Technics
Thermionic Culture
TL Audio
Tube Tech
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Universal Audio
Yamaha
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