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SUMMIT AUDIO - MPE-200

MPE-200

Quantity:

5 699,00 €

paiement CETELEM en 3 fois
1899.67 € x 3
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paiement CETELEM en 4 fois
1424.75 € x 4
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Availability:  Discontinued product
Delivery:  Contact us
Garantie : 2 ans pièces & main-d'oeuvre

SUMMIT AUDIO - MPE-200 - ELEMENT 78 MIC-PRE EQUALIZER

The MPE-200 is the first product in the Element 78 line of Class A solid state signal processing units from Summit Audio. The MPE-200 features two channels of microphone preamp and two channels of parametric EQ, all discrete class A transformer coupled, designed by Summit Audio with Mr. Rupert Neve. Add to the incredible sound of these preamps and EQ's the versatility, precision, and control of a digital interface, and the vision of Element 78 is realized: a no-compromise analog signal path combined with an easy-to-use and powerful digital front-end.

Features include 25 on-board presets for instant recall and reset capabilities, full MIDI support for storage of settings and automation, two world-class microphone preamps, two four band parametric equalizers (preamps and EQ can be used separately or routed together internally), two filters per preamp (high and/or low pass, stackable for 24 dB/ octave rolloff), 48 volt phantom power, phase reversal, analog fading and more.

Key Features :

  • Two Channels
  • Virtually No High Order Harmonics
  • High Performance Microphone Amplifiers with Dual Range HP/LP Filter Section
  • Store and Reset, Copy and Remote Control
  • Coarse and Fine Gain Control for Each Section
  • MIDI Controllable
  • Instrumentation Type Input Amplifiers
  • Twenty-Five User Definable Memories
  • Independent Four Band Classic Equalizer
  • Floating and Balanced Output Transformers
  • Massive Dynamic Range
  • Traditional Analog Type Controls and Readouts for Ease of Operation

Specifications :

  • SIZE: 2u Rack Space, 14" Depth Behind Panel
  • POWER: 80 Watts, Selectable Power Supply (100 to 240 Volts, 50 Or 60Hz)

MICROPHONE PATH:

  • Input Impedance for Minimal Microphone Loading: 10,000 Ohms
  • Low Noise Phantom Supply for Capacitor Microphones: 48 Volts
  • Coarse Stepped Gain Control, 4.0 dB Steps: 17 Positions: Unity To 64 dB
  • Fine Stepped Gain Control, 4.0 dB Steps: 17 Positions: +/-4 dB, Center 0
  • Factory Output Levels Set for Maximum Dynamic Range and S/N: +20 dBu. Balanced and Floating(1)
  • Frequency Response (Filters Out): -0.5 dB 10 Hz - 100 kHz
  • Equivalent Input Noise at 60 dB Gain: -128 dBu, Term. 150 Ohms
  • Output Noise at Unity Gain (Filters Out): Less Than -105 dBu
  • Total Harmonic Distortion and Noise, at 8dB Gain, +20 dBu Output Level: Traditional Analog Type Controls and Readouts for Ease of Operation

FILTERS:

  • High Pass: 17 Steps 20-320 Hz 12 dB/Octave
  • Low Pass: 17 Steps 4.0-30 kHz 12 dB/Octave
  • (Filters May Be Stacked to Provide a Single or HPF or LPF at 24 dB/Octave)

EQUALIZER PATH:

  • Line Bridging Input Impedance: 10,000 Ohms
  • Frequency Response (EQ and Filters Out): -0.5 dB 10 Hz-100 kHz
  • Output Noise at Unity Gain (EQ and Filters In and Set Flat): Less Than -100 dBu
  • Factory Output Levels Set for Maximum Dynamic Range and S/N: +20 dBu. Balanced and Floating(1)
  • Total Harmonic Distortion and Noise at Unity Gain +20 dBu Output Level (Filters In and Set Flat): Below 0.003%, 20 Hz - 20 Khz

LOW MID AND HIGH MID FREQUENCY EQ:

  • Level: 17 Steps at 2.0 dB/Step (+/-16 dB Center 0)
  • Fine Gain Zoom: Expands Increments to -0.50 dB
  • Q Control: 0.6 - 2.0
  • LMF Frequencies, 17 Steps: 100 Hz - 1.0 kHz
  • HMF Frequencies, 17 Steps: 500 Hz - 5.0 kHz
  • Shipping weight: 27 lbs.

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