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FOCUSRITE SAFFIRE PRO 40
[SAFFIRE PRO ]
459.00
EUR
Add to Cart
Reviews
Availability:
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Delivery:
Under 4 working days
FOCUSRITE SAFFIRE PRO 40
Professional 20 In / 20 Out Firewire interface with eight Focusrite Pre-amps.
Eight High Quality Award-winning Focusrite Pre-amps
The best sounding interface in its class. Focusrite's unparalleled pre-amp legacy forms the foundation of this new interface, with eight award-winning Focusrite pre-amps.
High Quality 24-bit/96kHz Firewire Interface
Features high quality A-D / D-A conversion and JetPLL jitter elimination technology; pristine audio quality and reliable synchronisation are guaranteed.
Total I/O Count of 20 Inputs and 20 Outputs
A host of i/o options are provided*, including a unique loop-back facility for routing audio between software applications via Saffire PRO 40 Control.
The Focusrite Plug-in Suite
Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.
Two separate headphone buses
Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel.
Saffire PRO 40 Control Zero-latency DSP Mixer/Router
Routing flexibility and intuitive one-click set-up solutions; Saffire PRO 40 Control provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities.
Unmatched routing flexibility
Saffire PRO 40 is the most flexible interface in its class, able to adapt to any recording session quickly and intuitively. The user is able to route any input signal or DAW output, or a mix of both, to any of the 20 outputs.
Focusrite Plugin Suite
Saffire PRO 40 includes the Focusrite plugin suite, produced by the same team that who developed Novation's nio FX rack and Saffire PRO 40 Control. They provide the perfect upgrade from your standard sequencer effects with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins, for use in the mix.
Each plug-in has a host of pre-sets that provide a reasonable starting point, delivering suitable solutions for the chosen sound source. Having selected a preset, you can then go on to finely tune these settings.
The compressor and Gate have been modeled on the Focusrite's hardware devices, using the measurement of custom optos to achieve the signature Focusrite sound. (All Focusrite optos are tuned by ear, just like in the old days of analog design, ensuring a faithful recreation of those classic vintage 1960s optical compressors.)
With the same signature as the original Focusrite EQ curves. Focusrite's R&D team used state-of-the-art numerical transform techniques to create an authentic response across the entire audible frequency spectrum for this software EQ.
The Reverb is based on classic algorithmic studio reverb designs.
Specs:
Microphone Inputs
Frequency Response: 20Hz - 20kHz +/- 0.1 dB
THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)
Line Inputs
Frequency Response: 20Hz - 20kHz +/- 0.1dB
THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
Noise: -90dBu (22Hz/22kHz bandpass filter)
Instrument Inputs
Frequency Response: 20Hz - 20kHz +/- 0.1dB
THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter)
Noise: -87dBu (20Hz/22kHz bandpass filter)
Conversion performance
Dynamic Range = 110dB (A-wieghted)
Clock jitter < 250 picoseconds
THD+N AMPL = -109dBFS 'A' weighted
Front and Rear Connectivity
Analogue Channel Inputs (Inputs 1-8)
2 Mic/Line/Inst Combo XLR (Inputs 1 and 2)
6 Mic/Line Combo XLR (Inputs 3-8)
Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument)
Digital Channel Inputs (Inputs 9-18) 44.1-96kHz
Stereo S/PDIF input on RCA
8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)
Analogue Audio Outputs (Outputs 1-10)
8 Ό TRS Jack (Outputs 3-10)
2 monitor mix outputs on Ό TRS Jack (Outputs 1 and 2)
Stereo headphones mix 1 on Ό TRS (also routed to outputs 7 & 8)
Stereo Headphones mix 2 on Ό TRS (also routed to outputs 9 & 10)
Digital Channel Outputs (Outputs 11-20) 44.1-96kHz
Stereo S/PDIF output on RCA
8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)
Other I/O
2 6-pin Firewire sockets
2 Standard 5-pin DIN MIDI connectors: In and Out
IEC mains power input connector
Weight and Dims
3kg / 6.6Ibs
482mm / 19" (W) x 45mm / 1.8" (H) x 265mm /10.4" (D)
SYSTEM REQUIREMENTS
WINDOWS
Operating System
Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit only, 64 bit Vista support coming soon)
CPU/Clock
900MHz AMD or Pentium. (1.5 GHz or higher recommended)
Memory (RAM)
512 MB (more recommended)
APPLE MAC
Operating System
OSX (10.4 and 10.5)
CPU/Clock
PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac
Memory (RAM)
512 MB (more recommended)
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Ableton
Access
Adam Hall
Akai
AKG
Alesis
Allen & Heath
Alto
Apex
API Audio
Apogee Electronics
Apple
Arturia
Avalon Design
Behringer
Beyer Dynamic
BSS
Chandler Limited
Clavia
Crest Audio
Dangerous Music
Dave Smith Instruments
DBX
Denon
Dynaudio Acoustics
Ecler
Focusrite
Fxpansion
Gemini
Genelec
GForce
GML
Green Glue
iKEY
K & M Stands
Korg
KRK Systems
LD Premium
LD Systems
Lexicon
Logitech
Manley Labs
Marantz
Maselec
Millennia Media
Mindprint
Moog Music
Motu
Native Instruments
Neutrik
Neve
Numark
Ortofon
PALMER
Phonic
Pioneer
Prism Sound
Rane
RME Audio
Roland
Samson
Sennheiser
Shure
SKB Cases
Solid State Logic
Sony
SPL
Stanton
Steinberg
Sterling Modular
Studio Projects
Summit Audio
Tascam
Technics
Thermionic Culture
TL Audio
Tube Tech
Ultrasone
Universal Audio
Yamaha
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