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RME HDSP MADI
[HDSP MADI]
1059.00
EUR
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RME HDSP MADI - Hammerfall DSP MADI
Hammerfall DSP MADI offers full support for 56 and 64 channel modes and double and single wire technology (96k frame) for 96 kHz. Full 64 channel support can also be found in the hardware mixer TotalMix. All 64 inputs and 64 playback channels can be routed and mixed to 64 physical outputs completely freely, which translates to a 8192 channel mixer. With that, Hammerfall DSP MADI offers the most powerful router/mixer ever implemented on a PCI card, and allows much more than a usage as pure computer I/O unit:
MADI optical patchbay and router
MADI coaxial/optical or vice versa converter and splitter
MADI redistributor, patchbay and router
TotalMix can be completely remote controlled via MIDI. Furthermore, the hardware delivers RMS and peak level meters for full control over 192 audio channels at minimal CPU load.
As usual with RME, Hammerfall DSP MADI offers further sensible features. For instance an analog 24 bit 96 kHz line/headphone output with 110 dB dynamic range for direct control of all input and output signals. While most MADI-based devices require an additional word clock or AES line, the Hammerfall DSP MADI (like the ADI-648) uses SteadyClock™ to extract the reference clock at lowest jitter directly from the MADI signal, making long-distance connections even more convenient.
The included expansion board carries word clock I/O (BNC) and MIDI I/O. The word clock input is galvanically isolated via transformer and operates on both single and double speed signals automatically. MIDI I/O offers 2 completely independent MIDI inputs and outputs via breakout cable (4 DIN sockets). A virtual MIDI port allows for a direct transmission of MIDI data over MADI.
Features :
• 8 buffer sizes/latencies: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms
• ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 128 channels!
• All settings changeable in realtime
• Clock modes slave and master
• Automatic and intelligent master/slave clock control
• Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring
• Sync sources: MADI coaxial, MADI optical, word clock, internal
• Varipitch: by input signal or word clock
• Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
• Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz
• Jitter: < 1 ns, internal and all inputs
• Jitter sensitivity: PLL operates even at 100 ns Jitter without problems
• Comes with DIGICheck: the ultimate measurement, analysis and test tool
• Input MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC)
• Output MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC), stereo analog line/phones
• Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination
• Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
• MIDI input and output: via four 5-pin DIN jacks
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Ableton
Access
Adam Hall
Akai
AKG
Alesis
Allen & Heath
Alto
Apex
API Audio
Apogee Electronics
Apple
Arturia
Avalon Design
Behringer
Beyer Dynamic
BSS
Chandler Limited
Clavia
Crest Audio
Dangerous Music
Dave Smith Instruments
DBX
Denon
Dynaudio Acoustics
Ecler
Focusrite
Fxpansion
Gemini
Genelec
GForce
GML
Green Glue
iKEY
K & M Stands
Korg
KRK Systems
LD Premium
LD Systems
Lexicon
Logitech
Manley Labs
Marantz
Maselec
Millennia Media
Mindprint
Moog Music
Motu
Native Instruments
Neutrik
Neve
Numark
Ortofon
PALMER
Phonic
Pioneer
Prism Sound
Rane
RME Audio
Roland
Samson
Sennheiser
Shure
SKB Cases
Solid State Logic
Sony
SPL
Stanton
Steinberg
Sterling Modular
Studio Projects
Summit Audio
Tascam
Technics
Thermionic Culture
TL Audio
Tube Tech
Ultrasone
Universal Audio
Yamaha
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